chewingfingers:

Flavio Cerqueira
“No decency at all, and the artist does not blush when he pretends to be porcelain that which he in fact molded in bronze and painted white, in a sinful mixture of Rodin and Jeff Koons. And he follows in this line of the free translation of the past into contemporaneity when he studies the drapery of the blue jeans or when he confers high heels to Bernini’s Blessed Ludovica. Our age is blasphemous.”

I ‘hole heartedly’ like these sculptures.
Zoom Info
chewingfingers:

Flavio Cerqueira
“No decency at all, and the artist does not blush when he pretends to be porcelain that which he in fact molded in bronze and painted white, in a sinful mixture of Rodin and Jeff Koons. And he follows in this line of the free translation of the past into contemporaneity when he studies the drapery of the blue jeans or when he confers high heels to Bernini’s Blessed Ludovica. Our age is blasphemous.”

I ‘hole heartedly’ like these sculptures.
Zoom Info
chewingfingers:

Flavio Cerqueira
“No decency at all, and the artist does not blush when he pretends to be porcelain that which he in fact molded in bronze and painted white, in a sinful mixture of Rodin and Jeff Koons. And he follows in this line of the free translation of the past into contemporaneity when he studies the drapery of the blue jeans or when he confers high heels to Bernini’s Blessed Ludovica. Our age is blasphemous.”

I ‘hole heartedly’ like these sculptures.
Zoom Info
chewingfingers:

Flavio Cerqueira
“No decency at all, and the artist does not blush when he pretends to be porcelain that which he in fact molded in bronze and painted white, in a sinful mixture of Rodin and Jeff Koons. And he follows in this line of the free translation of the past into contemporaneity when he studies the drapery of the blue jeans or when he confers high heels to Bernini’s Blessed Ludovica. Our age is blasphemous.”

I ‘hole heartedly’ like these sculptures.
Zoom Info

chewingfingers:

Flavio Cerqueira

No decency at all, and the artist does not blush when he pretends to be porcelain that which he in fact molded in bronze and painted white, in a sinful mixture of Rodin and Jeff Koons. And he follows in this line of the free translation of the past into contemporaneity when he studies the drapery of the blue jeans or when he confers high heels to Bernini’s Blessed Ludovica. Our age is blasphemous.”

I ‘hole heartedly’ like these sculptures.

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